Red Bird: Poems - Hardcover

A private person by nature, Mary Oliver (1935–2019) gave very few interviews over the years. Instead, she preferred to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as “far and away, this country’s best-selling poet.” Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published twenty books of poetry and six books of prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet’s sister Norma Millay. It was there, in the late ’50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook’s death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver’s essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver’s books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008).

Birds are totem animals for poets, and Oliver writes of her winged kindred spirits often, here addressing “red bird” with gratitude for “firing up the landscape” in winter. Red bird is an emblem of passion in a frozen world, and a sign of Oliver’s own resurgence of love and hope after the profound grief of her last collection, Thirst (2006). In “Summer Morning,” she writes, “Heart, / I implore you, / it’s time to come back / from the dark.” And in “Self -Portrait,” she exclaims, “Ah! seventy. And still / in love with life. And still / full of beans.” One of few avidly read living poets, Oliver revels in the beauty of the living world, and takes to heart its lessons in patience and pleasure, cessation and renewal. As piercingly observant as ever in this substantial and forthright collection, Oliver is rhapsodic. But she is also wry, caustic, and elegiac in critiquing our habit of violence, “the debris of progress,” and the cruel fate of rivers, polar bears, and all the wild places and animals we’ve endangered, and from which we still have so much to learn. --Donna Seaman